recent books:
- @ douglasamartin.com :: NEW BOOKS
- New York Times Book Review of ACKER ("Three Literary Critics Who Engage with Their Subjects, Unconventionally," by Kathleen Rooney)
- nightboat books
- 7stories Press: Once You Go Back
- SOFT SKULL PRESS (“...full of hard-won, fraught, unsparing emotional truth...a piece of stylish and ferociously sharp prose. I love its fierce concentration and levels of obsession.” —Colm Tóibín, on OUTLINE of MY LOVER. "These are great poems cause they’re such non-poems. Torn up pieces, patches of stuff like a guy on a train reminds you of someone you used to love. If the whole category of poetry emptied out and they opened something else next door that does what poetry did—by falling down, missing the train, missing everything, and you can almost hear it—like music—well this poetry is kind of like that. It's awkward and swift. I really like it." —Eileen Myles, on IN the TIME of ASSIGNMENTS.
- U of W: They Change the Subject
- kammer/kammer
a best book of this year
"Remember that time in your life when you didn’t know if you would ever learn how to breathe? No, you knew you were breathing, but you wondered if it would ever feel like it was supposed to. Douglas Martin [Once You Go Back] nails the claustrophobia of growing up, somehow succeeding at delivering an adult’s voice with a child’s awareness, a voice at once aloof and familiar. Martin steers clear of the typical nostalgia in order to convey a loneliness so intimate that even a catalog of deteriorating home life becomes something almost like hope. And, the best part is that he doesn’t fuck it up at the end with some kind of tidy closure – yay, thank you!" - Mattilda Bernstein Sycamore
"As for fiction –- again, lots of favorites, by Stacey D'Erasmo (The Sky Below), Douglas A. Martin (Once You Go Back), Peter Gadol (Silver Lake), Vestal McIntyre (Lake Overturn) and Derek McCormack (The Show That Smells). - Richard Labonte
"Martin, who possesses one of the most distinctive younger voices in contemporary gay lit, transcends the familiar with heartbreaking poignancy. His language is spare and evocative, his prose is infused with the compactness of poetry, and his graceful, elliptical narrative evokes painful early years with ferocious precision." (Labonte review)